Alternatively, if you are not yet a member you can find out more about membership here, or join as a member of the ABTT here to access this content.
If you have any questions, please email office@abtt.org.uk Thank you.
Electro-acoustic enhancement of performance environments has been well established for several decades. Fuelled by the development and deployment of increasingly sophisticated spatial/immersive systems, the availability of acoustic enhancement platforms is increasing. In this session, James Beer discusses the opportunities offered by these technologies to performance and rehearsal practice, and the interaction between natural and enhanced acoustic environments, using examples from projects including the Linbury Theatre at Royal Opera House, the Australian Chamber Orchestra, Muziekcentrum de Bijloke and UCL Pearl.
Alternatively, if you are not yet a member you can find out more about membership here, or join as a member of the ABTT here to access this content.
If you have any questions, please email office@abtt.org.uk Thank you.
In order to support the charitable work of the ABTT I would like to donate the following amount: